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X-WR-CALNAME:The Textile Society
X-ORIGINAL-URL:https://www.textilesociety.org.uk
X-WR-CALDESC:Events for The Textile Society
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TZID:Europe/London
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DTSTART:20230326T010000
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DTSTART:20231029T010000
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DTSTART:20240331T010000
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DTSTART:20241027T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230211T080000
DTEND;TZID=Europe/London:20231105T170000
DTSTAMP:20260404T180611
CREATED:20231006T132743Z
LAST-MODIFIED:20231006T132754Z
UID:18663-1676102400-1699203600@www.textilesociety.org.uk
SUMMARY:Thirsty for Fashion
DESCRIPTION:This exhibition highlights the techniques used to repair\, remodel\, reuse and re-wear clothing from the 18th century to the present day.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe ‘Thirsty For Fashion’ exhibition at Killerton explores circular fashion from the 18th century to the present day. Items from the National Trust’s largest fashion collection highlight some of the techniques used to repair and reuse clothing throughout history. \n\n\n\nEvent Details
URL:https://www.textilesociety.org.uk/event/thirsty-for-fashion
LOCATION:Killerton House\, Broadclyst\, Exeter\, Devon\, EX5 3LE
CATEGORIES:Other Events
ATTACH;FMTTYPE=image/jpeg:https://www.textilesociety.org.uk/wp-content/uploads/2023/10/Killerton-2.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230401T100000
DTEND;TZID=Europe/London:20240114T170000
DTSTAMP:20260404T180611
CREATED:20230324T060651Z
LAST-MODIFIED:20230324T060752Z
UID:18368-1680343200-1705251600@www.textilesociety.org.uk
SUMMARY:Tartan
DESCRIPTION:A radical new look at one of the world’s best-known textiles\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCelebrating tartan and its global impact\, the exhibition explores how tartan has connected and divided communities worldwide\, how it has embraced tradition\, expressed revolt\, and inspired great works of art as well as playful and provocative designs. \nTartan brings together a dazzling selection of more than 300 objects from over 80 lenders worldwide\, illustrating tartan’s universal and enduring appeal through iconic and everyday examples of fashion\, architecture\, graphic and product design\, photography\, furniture\, glass and ceramics\, film\, performance and art. \nThe exhibition features loans from across Scotland and around the world\, including Chanel\, Dior\, Vivienne Westwood\, Alexander McQueen\, Tate\, V&A\, National Museums of Scotland\, National Trust for Scotland\, National Theatre of Scotland\, The Royal Collection\, Fashion Museum Bath\, the Highland Folk Museum and more\, many of which are being shown together in Scotland for the first time. \n\n\n\nEvent Details
URL:https://www.textilesociety.org.uk/event/tartan
LOCATION:V&A Dundee\, Riverside Esplanade\, Dundee\, DD1 4EZ\, United Kingdom
CATEGORIES:Other Events
ATTACH;FMTTYPE=image/jpeg:https://www.textilesociety.org.uk/wp-content/uploads/2023/03/tartan.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230405T080000
DTEND;TZID=Europe/London:20231029T170000
DTSTAMP:20260404T180611
CREATED:20231006T131643Z
LAST-MODIFIED:20231006T131643Z
UID:18659-1680681600-1698598800@www.textilesociety.org.uk
SUMMARY:Crown to Couture
DESCRIPTION:The exhibition draws fascinating parallels between the world of today’s red carpet and the Georgian Royal Court in the 18th century.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis brand-new fashion exhibition for 2023 takes over Kensington Palace’s State Apartments and Piggott Galleries\, featuring over 200 items from ball gowns to court suits and handbags to jewellery. The exhibition draws fascinating parallels between the world of today’s red carpet and the Georgian Royal Court in the 18th century. \nSee up close Beyoncé’s look for the 2017 GRAMMY Awards\, designed by Peter Dundas\, and the custom Moschino chandelier-inspired outfit designed for Katy Perry and worn at the 2019 Met Gala. \nOther key iconic looks from recent years include Billy Porter’s “Sun God” outfit\, styled by Sam Ratelle and designed by The Blonds for the 2019 Met Gala\, and Kendall Jenner’s shimmering Hepburn-inspired Givenchy dress worn to the 2021 event. \nContrasted with these modern-day looks\, don’t miss the stunning yellow mantua on loan from National Museums Scotland\, the widest surviving court gown in Britain at nearly three metres\, plus the exquisite Rockingham Mantua\, one of several objects from Historic Royal Palaces’ Royal Ceremonial Dress Collection. \n\n\n\nEvent Details
URL:https://www.textilesociety.org.uk/event/crown-to-couture
LOCATION:Kensington Palace\, Kensington Gardens\, London\, W8 4PX
CATEGORIES:Other Events
ATTACH;FMTTYPE=image/jpeg:https://www.textilesociety.org.uk/wp-content/uploads/2023/10/Kensington.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230418T100000
DTEND;TZID=Europe/London:20231203T170000
DTSTAMP:20260404T180611
CREATED:20231006T124950Z
LAST-MODIFIED:20231006T124950Z
UID:18648-1681812000-1701622800@www.textilesociety.org.uk
SUMMARY:Mediterranean Embroideries
DESCRIPTION:A showcase of a range of textiles from across the Mediterranean world explores the embroidery practices that connect them.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis display showcases a range of textiles from across the Mediterranean world and explores the embroidery practices that connect them. Mostly created by women\, these lively and decorative textiles provided a means of self-expression for women and girls of all ages. Generation after generation of makers handed down their needle skills\, creating pieces that reflected personal tastes\, social standing and community affiliation. \nIn the main\, the embroideries were made for use in the home\, as cushions\, towel ends\, bed tents\, or as clothing. \nCommon features included ships\, vases\, fantastical beings\, humans\, birds and even words\, while other motifs denoted regional differences. Some patterns travelled\, appearing on other objects\, such as ceramics\, from opposite ends of the Mediterranean. \nThe selection curated here for the Shiba Gallery begins to tell the intertwined stories stitched into these detailed and delicate embroideries. \n\n\n\nEvent Details
URL:https://www.textilesociety.org.uk/event/mediterranean-embroideries
LOCATION:The Fitzwilliam Museum\, Trumpington Street\, Cambridge\, CB2 1RB
CATEGORIES:Other Events
ATTACH;FMTTYPE=image/jpeg:https://www.textilesociety.org.uk/wp-content/uploads/2023/10/Fitzwilliam.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230708T110000
DTEND;TZID=Europe/London:20231029T170000
DTSTAMP:20260404T180611
CREATED:20231006T123529Z
LAST-MODIFIED:20231006T124323Z
UID:18641-1688814000-1698598800@www.textilesociety.org.uk
SUMMARY:Material Power: Palestinian Embroidery
DESCRIPTION:‘Material Power: Palestinian Embroidery’ explores the historical life and contemporary significance of Palestinian embroidery. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis ancient and beautiful practice remains an important living tradition and the most prominent cultural material of Palestine today. Curated by Rachel Dedman\, the exhibition looks at the ways in which embroidery\, primarily undertaken by women\, has evolved through a century of turbulent history for the Palestinian people. \nThis is the first major exhibition of Palestinian embroidery in the UK for over 30 years\, with more than 40 dresses and embroidered objects on display lent from important private collections in Jordan and Palestine. Every dress tells a story: whether about the lives of women with their astonishing skills and creativity in the early decades of the last century\, or the trauma of displacement as a result of the war of 1948. And reflecting the decades since: in which the vibrant colours and patterns of Palestinian embroidery\, now often created for a global market by groups of women\, have become symbolic of nationhood\, memory\, and resistance. Alongside historic dresses are artworks by five contemporary artists\, films of embroiderers speaking about their work and rarely seen archive material. \nMaterial Power: Palestinian Embroidery is organised by Kettle’s Yard in collaboration with the Whitworth\, The University of Manchester\, where it will travel from 24 November 2023 – 7 April 2024. \n\n\n\nEvent Details
URL:https://www.textilesociety.org.uk/event/material-power-palestinian-embroidery
LOCATION:Kettle’s Yard\, Castle Street\, Cambridge\, CB3 0AQ
CATEGORIES:Other Events
ATTACH;FMTTYPE=image/jpeg:https://www.textilesociety.org.uk/wp-content/uploads/2023/10/Kettles-Yard-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230722T100000
DTEND;TZID=Europe/London:20240204T170000
DTSTAMP:20260404T180611
CREATED:20230830T131152Z
LAST-MODIFIED:20231017T012046Z
UID:18731-1690020000-1707066000@www.textilesociety.org.uk
SUMMARY:A Collector's Story: A Private Collection of Vivienne Westwood
DESCRIPTION:A snapshot of the late Vivienne Westwood’s career through the eyes of collector\, Peter Smithson. Items from the Museum’s collection that echo and contextualise historical references in Westwood’s work are displayed alongside.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThis new exhibition in the Fashion & Textile Gallery at The Bowes Museum shows a snapshot from the late Vivienne Westwood’s career through the eyes of collector\, Peter Smithson. Peter has collected Westwood for nearly thirty years\, with a particular focus on the years from Mini-Crini (1986) to Storm in a Teacup (1996/97). The exhibition includes complete ensembles from significant collections across the 1980s and 1990s\, as well as accessories and ephemera from Peter’s collection. \nThe earliest Westwood outfit on display is from Mini-Crini (1986) and features one of her signature mini-skirts inspired by the crinolines of the 1850s. An Armour jacket from Time Machine (AW 1988/89) reflects the shape of metal armour in its construction from heavy tweed. An amazing black velvet catsuit from Portrait (AW 1990/91) is printed with gold ink in a design inspired by seventeenth-century French cabinetmaker\, André-Charles Boulle. Two ensembles from On Liberty (AW 1994/95) and Storm in a Teacup (AW 1996/97) explore and disrupt the history of tartan and tweed in fashion. \nWestwood was very inspired by art and fashion\, cultural and social history. Objects from The Bowes Museum’s stored collections are displayed alongside her creations to show historical sources for her ideas and to examine materials and techniques. \nThey include armour\, an early seventeenth-century portrait miniature\, a pair of miniature Boulle plinths\, and a limited edition Westwood plate with a lace design\, produced by Coalport in 2003. From the Fashion & Textile collection\, tapestry seat covers and a rare pile fabric picture purchased by Joséphine and John Bowes\, are on show\, as well as a pair of eighteenth-century stays\, bustles\, shoes\, lace from the Blackborne Lace Collection\, and children’s clothes from local shop Milners in Middleham. \nN.B. The exhibition is the result of a collaboration between The Bowes Museum and private collector Peter Smithson. It is not an institutional partnership with Vivienne Westwood Limited. \n\n\n\nEvent Details
URL:https://www.textilesociety.org.uk/event/a-collectors-story-a-private-collection-of-vivienne-westwood
LOCATION:The Bowes Museum\, Barnard Castle\, County Durham\, DL12 8NP
CATEGORIES:Other Events
ATTACH;FMTTYPE=image/jpeg:https://www.textilesociety.org.uk/wp-content/uploads/2023/10/Vivienne-Westwood.jpg
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